रात के पाँच ब्लॉक
A programme is not a playlist, it is a sequence. It opens shubh with devotional, turns to the stage anthems around midnight, hands over to the DJ at one, drops into the crying songs at three, and finishes on the old stuff as the sky greys. The site follows your own clock — whatever hour it is where you are, that is what is playing.
Chhath & Devi Geet
The night opens shubh. A vandana, then devotional, while elders and children are still in the chairs. Sharda Sinha is the spine of it — she recorded 62 Chhath songs across nine albums, and hers is the voice of the ghat.
13 गाना
12–1Shaadi–Tilak Night
What an orchestra actually plays between the tilak and the vidaai. Pawan Singh stage anthems and the Manoj Tiwari records that half of Bihar can still sing from memory.
11 गाना
1–3DJ / Remix Block
The live band steps back and the DJ takes over. Subwoofer-first, strobes on, everyone standing on the chairs. The loudest hour of the night and the one the loudspeaker rules were written for.
12 गाना
3–4:30Dard Bharal Bhojpuri
The crying block. Tempo drops, lights go warm and low, the crowd goes quiet. Bewafai and judaai. Grown men cry openly and nobody comments.
11 गाना
4:30–9Purane Classics
भोरहरी. The sky greys, the tubelights come down, and what is left playing is the old stuff — Ganga Maiyya Tohe Piyari Chadhaibo, the film that started Bhojpuri cinema, Rafi and Asha singing Bhojpuri, Bharat Sharma Vyas.
12 गाना